Photo: Shannon Harris
(Morphed in Processing)
Journal Articles
Connors, T. 2018. Organising for Emergence: Computer vision and data mining as a co-creative device. eContact, 20(2).
Connors, T. and A. Denton. 2017. In Environments: The convergence and divergence of practice. Organised Sound 23(1): 29–38.
Conference Proceedings:
Connors, T. 2018. The Lure Toward the Performative. Proceedings in International Computer Music Conferenceon (ICMC 2018), Daegu, South Korea, August 5–11
Connors, T. 2016. The Aesthetics of Causality: A descriptive account into Ecological Performativity. Proceedings in International Conference on Auditory Display (ICAD 2016), Canberra, Australia, July 2–8
Connors, T. 2015. Audiovisual Installation as Ecological Performativity. Proceedings in International Symposium on Electronic Art (ISEA 2015), Vancouver, Canada, August 13–22.
Connors, T. 2014. Bringing Forth a World: Sound and audiovisual installation as a process of cognition. Proceedings in Electroacoustic Music Studies Network Conference (EMS 2014), Berlin, Germany, June 10–14.
Invited Speaker:
Thinking-in-the-MAking. Creative Code in an Ecologically Performative Practice. Guelph Univesity, Ontario. March 2019. (here @ [43:00-1:26 min])
Space, Sound and the Improvisatory. Creative Coding in an Ecological Performative Practice. Onassis Cultural Centre, Athens. October 2018
Music, Media and Place. (MMaP) 2017 lecture series (here)
PhD Thesis Dissertation:
Connors, T. 2017. Audiovisual Installation as Ecological Performativity. PhD Dissertation, The University of Waikato, New Zealand.